ARRI 100MM MASTER MACRO
ARRI ULTRA PRIME 8R
ARRI 12MM MASTER PRIME
ARRI 14MM MASTER PRIME
ARRI 150MM MASTER PRIME
ZEISS 15MM CP
CANON 50-1000mm
SUMMICRON-C
SUMMILUX C
ZEISS DISTAGON T* 15MM F/2.8 ZE
ZEISS COMPACT ZOOM 70-200MM
ZEISS COMPACT ZOOM 28-80MM
ZEISS COMPACT ZOOM 15-30MM
FUJINON CABRIO 85-300MM
FUJINON CABRIO 19-90MM
FUJINON 18-85MM
FUJINON 18-85MM
CANON 15.5-47MM
CANON 30-105MM
CANON 30-300MM
For those who want the ultimate in image quality for table top cinematography, product shots, close-up inserts on feature films or any other applications that require a macro lens, the ARRI Master Macro 100 delivers images of breathtaking beauty. More features; Max Aperture - T2, Coverage-31.14 mm, Minimum Focus- 13 3/4ft,Front Diameter - 114mm
For those who want the ultimate in image quality for table top cinematography, product shots, close-up inserts on feature films or any other applications that require a macro lens, the ARRI Master Macro 100 delivers images of breathtaking beauty. More features; Max Aperture - T2, Coverage-31.14 mm, Minimum Focus- 13 3/4ft,Front Diameter - 114mm
Featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth-of-field. Ranging from 12mm to 150mm, the Master Primes offer the skin tones and color rendition for which Zeiss is noted and are color-matched for consistency across the set. More features; Max Aperture - T1.3, Coverage - 31.14mm, Minimum Focus - 4ft 11in, Front Diamete - 134mm
ANGENIEUX 25-250MM
The 12mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth-of-field. Ranging from 12mm to 150mm, the Master Primes offer the skin tones and color rendition for which Zeiss is noted, and are color-matched for consistency across the set. More features; Max Aperture - T1.3, Coverage - 31.14 mm, Minimum Focus - 16ft, Front Diameter - 156mm
The Ultra Prime 8R/T2.8 is an extreme wide angle lens with a unique look unparalleled by any other lens in the film or video world. Because of its rectilinear design it shows an extremely wide angle of view without any of the commonly associated fisheye distortions. More features; Max aperture - T2.8, Coverage - 32.5 mm, Minimum Focus - 14in, Front Diameter - 134 mm
18mm, 21mm, 25mm, 35mm, 40mm 50mm, 75mm, 100mm If you're looking for a set of fast, purpose-built prime lenses for amazing cinematography and depth-of-field, look no further than the SUMMILUX-C lens kit, available now from Dubai Film. These lenses represent the perfect companions for cameras with larger digital sensors. Max Aperture - T1.4 Coverage - 33mm Front Diameter - 95mm
18mm, 25mm, 35mm, 50mm, 75mm, 100mm The SUMMICRON-C prime lens kit offer an abundance of depth-of-field and cinematic performance, whilst maintaining an efficient compact size. Each lens offers an image circle wider than 35mm in diameter, which is large enough for the large sensor digital cameras without any performance loss. Max Aperture - T2.0 Coverage - 36mm Front Diameter - 95mm
CINE-SERVO PL Mount Focal Length - 50 to 1000mm Diagonal Angle of View Super35: 33.3 to 1.61° Dimensions(WxH) 6.9 x 6.7" / 175.3x170.2 mm Front Diameter - 136 mm Zoom Ratio 20xbundance of depth-of-field and cinematic performance, whilst maintaining an efficient compact size.
This 15mm Compact Prime lens is derived from the same classic optical formula as the preceding CP.2 variant and shares the same physical length as the 18, 21, 25, 28, 35, 50, and 85mm CP.3 lenses while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter.
18mm, 25mm, 35mm, 50mm, 75mm, 100mm The SUMMICRON-C prime lens kit offer an abundance of depth-of-field and cinematic performance, whilst maintaining an efficient compact size. Each lens offers an image circle wider than 35mm in diameter, which is large enough for the large sensor digital cameras without any performance loss. Max Aperture - T2.0 Coverage - 36mm Front Diameter - 95mm
MFT Mount is a telephoto zoom lens that is optimized for motion picture production. The lens offers full-frame (36 x 24 mm) coverage and exhibits no focus shift over the zoom range. The cine-style housing features calibrated focus scales and industry standard gearing for focus, iris and zoom. At 9.84" long and with a weight of 6.2 lb, the 70-200mm is relatively compact and lightweight, which makes it ideal for handheld and Steadicam applications. More features; Max aperture - T2.9, Coverage - 43.3mm, Minimum Focus - 60in, Front Diameter - 95mm
MFT Mount is a telephoto zoom lens that is optimized for motion picture production. The lens offers full-frame (36 x 24 mm) coverage and exhibits no focus shift over the zoom range. At 9.84" long and with a weight of 6.2 lb, the 70-200mm is relatively compact and lightweight, which makes it ideal for handheld and Steadicam applications. More features; Max aperture - T2.9, Coverage - 43.3mm, Minimum Focus - 60in, Front Diameter - 95mm
18mm, 25mm, 35mm, 50mm, 75mm, 100mm The SUMMICRON-C prime lens kit offer an abundance of depth-of-field and cinematic performance, whilst maintaining an efficient compact size. Each lens offers an image circle wider than 35mm in diameter, which is large enough for the large sensor digital cameras without any performance loss. Max Aperture - T2.0 Coverage - 36mm Front Diameter - 95mm
PL Mount lens that features a detachable servo drive unit. With the drive unit, this lens operates like a traditional ENG TV lens thanks to the same interface and accessories familiar to TV lens users. This is helpful in simplifying and reducing setup time since it is not necessary to use more complicated cine lens drive systems, and the drive seamlessly interfaces with wired and wireless cine control systems as well. More features; Max aperture - T2.9, Coverage - 31.5mm, Minimum Focus - 4ft, Front Diameter -114 mm
Made for Super 35mm format film and digital cinema cameras and it will render an ultra-wide to telephoto angle-of-view. The 18-85mm lens comes from Fujinon's Premier PL family of zoom lenses, which share a 136mm front barrel diameter, a 280? focus barrel rotation, gear placement, and comparable size and weight. Premier PL lenses are designed to enable quick lens changes and provide excellent color and optical quality. More features; Max aperture - T2, Coverage -29mm, Minimum Focus -2ft 9in, Front Diameter -136 mm
a wide to telephoto zoom lens for Super 35mm cameras, and it features a PL mount. The focus, zoom, and iris barrels are geared with standard 0.8 film pitch, which provides an interface for the removable ENG-style digital drive unit. The rear PL mount features electrical contacts for sharing ARRI LDS and Cooke /i Technology lens data with the camera. More features; Max aperture - T2.9, Coverage - 31.5mm, Minimum Focus -2ft 10in, Front Diameter - 114 mm
Made for Super 35mm format film and digital cinema cameras and it will render an ultra-wide to telephoto angle-of-view. The 18-85mm lens comes from Fujinon's Premier PL family of zoom lenses, which share a 136mm front barrel diameter, a 280? focus barrel rotation, gear placement, and comparable size and weight. Premier PL lenses are designed to enable quick lens changes and provide excellent color and optical quality. More features; Max aperture - T2, Coverage -29mm, Minimum Focus -2ft 9in, Front Diameter -136 mm
The Compact and lightweight Canon CN-E15.5-47mm T2.8 L S (PL mount) Cinema Zoom Lens rivals best-in-class zoom magnification and wide-angle focal length range for the Super 35mm format and is engineered to offer superb optical 4K performance for demanding high-end productions, meeting and exceeding industry standards. More features; Max aperture -T2.8, Coverage - 31.4mm, Minimum Focus - 19.7 in, Front Diameter -114 mm
The Canon CN-E30-105mm T2.8 L S Telephoto Cinema Zoom Lens with PL Mount rivals best-in-class zoom magnification and mid-range focal lengths for the Super 35mm format and is engineered to offer superb 4K optical performance for demanding high-end productions, meeting and exceeding industry standards. More features; Max aperture -T2.8, Coverage - 31.4mm, Minimum Focus - 23.6 in, Front Diameter -114 mm
The Canon Cinema Zoom CN-E30-300mm T2.95-3.7 L SP (PL Mount) Lens rivals best-in-class zoom magnification and telephoto focal length for the Super 35mm format, and is engineered to offer unrivaled optical performance for demanding high-end productions, meeting and exceeding industry standards. More features; Max aperture -T2.95, Coverage - 29.6mm, Minimum Focus - 5ft, Front Diameter -136 mm
One of Angenieux's newest additions to the Optimo Style series of professional zoom lenses, the 25-250mm T3.5 reaches back to the classic HR focal length but with a high-quality modern twist. The new 25-250mm is designed to perform with little to no breathing, aberrations, or distortion on a Super35 format sensor up to 31.5mm (diagonal). Pre-Order today an be one of the first to own Angenieux's newest zoom lens. Additional mount option will be available soon including Panavision, Nikon F, and Canon EF. More features; Max aperture - T3.5, Coverage - 31.4mm, Minimum Focus - 4ft, Front Diameter -136 mm